‘a rich sense of sonics, with those jazz flourishes building into something beautiful, but still abstract’ (Clash Magazine)

‘languishes in dreamy solemnity … echoes of artists like Perfume Genius and Antony and the Johnsons’ (The Music Mermaid)

‘good, sophisticated, right side of precious Harry Nilsson vs Kiran Leonard-ish songwriting’ (The Quietus)




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